The Yamaha Motif series represents over two decades of evolution in professional workstation synthesizers, spanning from the original Motif's introduction in 2001 through to the last-in-series XF generation. Each iteration has built upon its predecessor's foundation while introducing significant technological advances that have kept the Motif line at the forefront of music production. This comparison highlights the key specifications and features across all four generations, with highlighted entries indicating the most significant improvements in each model. Whether you're considering an upgrade from an older Motif or evaluating the series for the first time, this table provides essential information for understanding each model's capabilities and evolution.

Dreaming of an Akai S950, E-mu E4X Hollywood Gold, or an Ensoniq ASR-10? These fantastic devices are full of charm and character, but they've become nearly unreachable due to their skyrocketing prices. They still provide that coveted vintage vibe, but they're increasingly hard to find without being overused to the point of abuse.

What about the rest of us? Those with an eager desire to sample the old way but not wanting to sell a kidney or rob a bank just to buy a dream sampler? Well, I'm happy to say we have a path to follow — one that won't break the bank while still delivering authentic vintage sampling goodness.

Let me introduce you to some hidden gems from the golden era of hardware samplers that deliver professional-grade sampling at a fraction of the cost. These  models flew under the radar compared to their more famous siblings, but they pack serious sampling power that deserves your attention today!

It all started in 1985 with the Akai S612, which was the first in a series of relatively affordable samplers designed in a 19-inch studio-rack format. It could hold only a single sample at a time, which was loaded into memory via a separate disk drive utilizing 2.8-inch Quick Disks. It featured an analog filter - a farewell goodbye to the analog era, a characteristic which would rocket launch its price 30 years later. Being half-computer itself, the S612 paved the way for dozens of successors that invaded the market so quickly that the rackmount sampler concept became inextricably linked to Akai to this day, even though Akai does not exist anymore as that '80s company and has not created any new rackmount sampler since the Z-series of 2002. Why, would you ask? Well, "because of computers" would be a generic answer. But let's better dive into the history and see how Akai progressed and which models were produced.

2018 is the year of hybrid sound synthesis. Half of the synthesizers in the ranking is a delicious blend of analog + digital synthesis in different proportions. Sometimes even digital + digital, which is also interesting. Another half is an attempt to recreate the behavior of cult synthesizers of past years. This is our only chart for 3 years in which there are two MOOG synthesizers at once! This is an interesting and versatile chart, which you should familiarize yourself with and express your opinion, because otherwise you definitely risk missing something important!

For a long time the workstations market, if we speak about mid-range instruments, was dominated by two synthesizers: Yamaha MOXF and Roland FA, Korg Krome being cheaper and less powerful solution. Both workstations have similar set of features and capabilities, and the choice between them consisted mainly of the user's taste preferences. Has anything changed with the release of the Yamaha MODX?