The Elektron Digitone Keys is a sophisticated FM synthesis workstation that expands upon the capabilities of the desktop Digitone module. This instrument combines a four-part FM synth engine with Elektron's distinctive sequencing environment, now...
The Korg ARP Odyssey FSQ represents the culmination of Korg's efforts to faithfully recreate the legendary ARP Odyssey synthesizer in its original full-size format. Following the success of the miniature KARP Odyssey released in 2015, Korg has now...
The PWM Mantis is a sophisticated duophonic hybrid analog/digital synthesizer that represents the final collaboration between PWM's Paul Whittington and the late synthesizer legend Chris Huggett. This instrument uniquely combines the oscillator design...
The E-mu Systems E4 Platinum is a fully expanded version of the E4XT Ultra containing all possible expansion cards and fully populated memory and sound ROM slots.
The E-mu e64 is essentially a more affordable version of the Emulator IV (EIV), sharing nearly identical operating system and voice architecture. Key differences include:64-voice polyphony (vs. EIV's 128 voices)2Mb factory RAM standard (expandable to...
The E4XT Ultra is the last and the most powerful hardware sampler from E-mu The E4XT Ultra stands as Emu's flagship sampler, representing the pinnacle of the E4 Ultra range and directly competing with Akai's top-tier S6000. This sophisticated 3U...
The E-mu E4X Turbo builds upon the original EIV with 128 voices, expandable RAM up to 128Mb (16Mb standard), an integrated 18-bit effects board, and a 1Gb hard drive of preloaded sounds. The standard E4X comes with 64 voices but is expandable to 128. The...
The Akai S5000 represented in the end of 90s a revolutionary advancement in sampler technology, distinguished by its innovative design and comprehensive feature set. The sampler's user interface leverages intuitive icons, graphics, pop-up windows, and...
Akai S1000 with SCSI interface and onboard HDD (upgradeable factory 40Mb).
The Akai S1000 represents a significant advancement in digital sampling technology, following the success of Akai's 12-bit S900, which had established itself as the studio-standard sampler. Released in late 1988, this new 16-bit stereo sampler aims to...
