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found following products (137):
E-mu Systems E4K Keyboard Synthesizer&Sampler 700.00 U.S.Dollars
The E4K was designed to be the ultimate in professional sampling keyboards. The features of the E4K expand the state-of-the-art in performance instrument design, from ease of use to the impeccable audio specifications. For starters, the E4K contains an...
The E-mu E-Synth is a instrument that combines a digital sampler with on-load available preset sample playback and synthesizer capabilities. It's essentially a modified E4X sampler with a 16Mb sample ROM board, running on the same EOS (Emulator Operating...
The Emulator IV (EIV) represented at the beginning of 90s a quantum leap in sampler technology, breaking traditional boundaries with its innovative approach to digital sound manipulation. Developed by E-mu Systems and lauched in 1994, this...
The Ensoniq ASR-10 Rack is a digital sampling workstation released by Ensoniq in 1993. It is an expanded version of the ASR-10 keyboard, featuring an additional 32MB of RAM and a SCSI port for connecting external storage devices. The ASR-10 Rack is...
E-mu Systems E6400 Rackmount Sampler 400.00 U.S.Dollars
Sampler, Digital (D), Voices: 64, Multi Timbral Capacity: 16 part(s), Production start: 1996, Production end: 1998, Production ended: Yes.
The Ensoniq Mirage DMS-1 is a digital sampling keyboard released by Ensoniq in 1984. It was one of the first affordable digital sampling keyboards available to musicians. It featured a built-in 8-bit sampler, a 61-note velocity-sensitive keyboard, and a...
Studio 440 is a further development of the idea first implemented in Prophet 2000. The wide possibilities allow Studio 440 to remain a relevant instrument today, with only a few limitations: a small amount of built-in memory (512 KB) and low resolution...
Sampler, Digital (D), Voices: 32, Production start: 1993, Production ended: Yes.
Roland S-220 Rackmount Sampler 300.00 U.S.Dollars
The Roland S-220 is a digital sampling module released in 1987. It was one of the first accessible digital samplers on the market and was used by electronic musicians in the late 1980s and early 1990s. The S-220 was capable of sampling at 12-bit resolution and had a maximum sample rate of 30kHz.
The Sequential Prophet 3000 was a groundbreaking 16-bit, 8-voice sampling system designed exclusively as a rackmounted unit. Released in 1987, it was remarkably innovative for its time, offering stereo sampling capabilities nearly two years ahead of...
