Performance Synthesizer, Digital (D), Voices: 64, Multi Timbral Capacity: 16 part(s), Size: 7.5, Aftertouch, Number of Keys: 88, Production start: 2000, Production ended: Yes.
In 2007 the music market got an improved version of the digital piano MP8 - MP8 II with enhanced performance. The number of internal sounds compared to the first instrument of the MP4 series, was increased 4 times up to 256, and polyphony – up to 192...
MP4 instrument was the first synthesizer of the brand featuring a plastic keyboard, which made the housing lighter and at the same time significantly reduced the cost of the synth. MP4 (formerly referred to as MP3000) incorporated the best of the...
Kawai MP5 instrument combines the classic black design of the previous MP8 in combination with the compact MP4 dimensions. The sound of MP5 has been revised and equipped with a string resonance, an damper effect. The new functions of the instrument also...
In 2005 Kawai MP8 instrument with significantly improved and simplified characteristics appeared featuring a black metal housing. The number of internal sounds compared to the predecessor (MP4) was increased 4 times up to 256, and polyphony - to 192...
MP7 is an excellent digital piano, which has a lot of features, but at the same time, has a reasonable price. Thanks to intuitive settings, the instrument is suitable not only for professionals, but also for beginners. MP7 is equipped with the same...
MP10 model has become a kind of authority among the instrument of the series. MP10 has a 192-note polyphony, 256 internal sounds and 4 effect processors. The instrument included completely new samples of the acoustic piano recorded in different...
Prophet 5 is a legend that can surely be added to the list of "top 5 analog synthesizers of all time". Prophet-5 became the most popular professional synthesizer of the late 1970s - early 1980s, and largely influenced the sound of pop music of that...
The Crumar Bit One, introduced in 1984, is a six-voice programmable touch-sensitive synthesizer that represents a compelling entry in the mid-1980s affordable polyphonic synthesizer market. As a hybrid digital/analog instrument, it combines digitally...
The successor of Matrix series, however, has a feature that strongly distinguishes Matrix-6 from its predecessors: the synthesizer's voices use digitally controlled oscillators (DCO). To build the voices Oberhiem used a specialized chip CEM3396 which...
