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Released in 1984, the Emulator II (EII) was E-mu's second eight-bit sampler. It improved upon the original by using companding digital-to-analog converters and a 27.7 kHz sample rate, along with resonant analog filters. The EII offered enhanced real-time...
2 500.00
The Akai S612 represented in its time a breakthrough in affordable digital sampling technology, combining three of the music industry's hottest buzzwords - "digital," "MIDI," and "sampling" - into one compact unit. Designed as a 2U high, 19"...
600.00
The E4K was designed to be the ultimate in professional sampling keyboards. The features of the E4K expand the state-of-the-art in performance instrument design, from ease of use to the impeccable audio specifications. For starters, the E4K contains an...
700.00
The Ensoniq EPS-16 PLUS Digital Sampling Workstation represents a significant advancement in digital sampling technology, building upon the legacy of the 8-bit Mirage and original 13-bit EPS models. While maintaining Ensoniq's commitment to affordable...
600.00
The Akai S1000 represents a significant advancement in digital sampling technology, following the success of Akai's 12-bit S900, which had established itself as the studio-standard sampler. Released in late 1988, this new 16-bit stereo sampler aims to...
600.00
